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Away from the Sprawl: Forming your own opinion in a sea...

I am a review obsessive. New album coming out? What’s the Pitchfork score? New TV episode just aired? What does AV Club say? New movie?...

Blomkamp fails to recreate “District 9” magic with “Chappie”

Director Neill Blomkamp is at it again, attempting to mix social commentary with science fiction in his latest movie “Chappie.” It seems very promising,...

Locke’s new album, “Time Stands Still” is nostalgic goodness

Having strummed his guitar and sang his heart out for the past 10 years, Taylor Locke is no stranger to the stage, since he...

“Unfinished Business”: More like unfinished script

What is Vince Vaughn still doing in movies? I mean, all that stuff he did in the early 2000s as part of the “frat...

Cannibal Ox’s new release not in the same vein

Cannibal Ox is a hip-hop duo from Harlem, N.Y., composed of emcees Vordul Mega and Vast Aire. This is the group’s second album and...

Brooklyn Nine-Nine: “Boyle-Linetti Wedding” Review

In my screenwriting classes, we often talk about how plot should flow naturally from the characters’ personalities. Think about a situation and how your...

“Focus” lacks focus

I’m sure that all of you reading this have come across the infamous “dress” picture that has been plastered all across social media since...

“Sour Soul” is a sweet album

Ghostface Killah and Toronto jazz band BadBadNotGood’s (BBNG) collaborative album, “Sour Soul,” is a tour de force of gritty hip-hop and smooth jazz. This...

Don’t come back to watch “The Lazarus Effect”

Arriving straight from the gates of hell, “The Lazarus Effect” wreaks havoc on God-fearing fans of well-crafted horror films. In Blumhouse Productions’ new film,...

“The Order of Things” is just and good

The new album "The Order of Things" is the radical seventh studio album by All That Remains. It was revealed by the band that...